Alessandro Pessoli, "Nudo Cartoccio" (2007). Gouache, spray paint on paper, 39" x 53". Courtesy Marc Foxx.
Pessoli rapidly brushes and stains with oil, gouache, acrylic and spray paint onto paper as thick as cardboard. A process of layering and revealing is achieved by cutting and collaging the paper. The sewn stitch is both used as a drawing tool, and as a means to attach the paper, resulting in an unexpected exploitation of materials. This is not fussy or belabored work. The effect of the mixed media, the drips, scribbles, sprayed paint and sewing comes off as vital, expressive energy. It is as if the artist physically tackles his subjects, hoping to capture the images before they escape him, sewing them down, grounding the ephemeral.
continue reading "Pessoli's Gypsy Bunker"
by ALEXA GERRITY on 8/15/2008
Nice solo femme noise/drone here from Denver's Brittney Gould, who I believe has some sort of association with Inca Ore. Sounds here are basic layered echoed vox over sparse melodic minimal lines and effects. There's a middle ground here between the new school Pocahaunted style chants and the noisier/weirder east coast Fursaxa/Zaimph...
Nice Face is another entry into the new school home recorded synth rock underground. Their recent 7” for the Sacred Bones label was a resoundingly worthy slice of bored club lo-fi bangers. Their follow-up cassette on the other hand is not up to par. There’s several clunky guitar solos that are not good enough to justify being up front and center in the mix. The songs are...
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